Virgil's Fine Goods + Scroop Patterns
Anne Skirt & Barbara Bum Roll (1655-1680) Pattern Bundle|| #2503 & 2504
Anne Skirt & Barbara Bum Roll (1655-1680) Pattern Bundle|| #2503 & 2504
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This is a Pre-Order for paper format sewing patterns. Pre-Order items are expected to ship by March 15.
Barbara Bumroll & Support Petticoat Difficulty: Easy 
Anne Skirt Difficulty: Intermediate 
We've combined the Anne Skirt with the Barbara Bum Roll patterns!
The Anne Skirt & Trained Overskirt is a lush, full, pleated skirt (called petticoats in-period) and overskirt pattern of the style worn with the elegant boned bodices or cozy jackets fashionable in the third quarter of the 17th century.
View A is a full, floor-length skirt that sits at the natural waist. It is designed to be worn with jackets and other bodices that do not have an elongated front point.
View B is a full skirt that sits at the natural waist at the back, and is cut in a deep dip at front to accommodate the elongated front points of boned bodices like the Ninon Bodice. It is has a straight, floor length hem.
View C has the same features as B, but with a 15’’/40cm long train. Views A, B & C all have a center back opening that fastens with waist ties.
View D is a trained overskirt that sits at the natural waist at the back, and is cut in a deep dip so it fits under the elongated front points of boned bodices like the Ninon Bodice. It fastens at the front and is designed to fall open, revealing a triangle of the petticoat skirt worn under it.
The instructions include options for knife pleats or cartridge pleats, and for a variety of historically accurate or plausible seam finishes, hem types, and trims to help you replicate the range of skirts seen in period images.
The Barbara Bum Roll is a padded 'bum' or 'rump' skirt support designed to create the desired full-hipped silhouette of the 17th century. It is also suitable for late 16th century costuming, and some 18th century silhouettes.
A larger View A and a smaller View B create different silhouettes, suitable for different eras, and different weights of overskirts.
Wear the Barbara with the View C Support Petticoat. This clever no-pattern method of making is a based on later 18th century examples and mentions and depictions in 17thc images. It is suitable for both centuries, and creates a full, stiff petticoat designed to smooth out the shape of the rump and help hold the skirts away from the body.
The pair are the perfect accompaniment to Ninon Bodice, but can also be worn with 18th century silhouettes like the Cassandra Stays and Amalia Jacket. .
The Barbara Bum Roll pattern features historically accurate construction techniques, and detailed notes on the materials, filling, and stitches used.
If accuracy isn't a concern the pattern is easily adapted for machine sewn construction.
The Anne Skirt & Barbara Bum Roll is designed to be worn with the Ninon Bodice with the Catarina Shift.

PATTERN DOWNLOAD:
For the Anne Skirt downloadable pattern please follow this link
For the Barbara Bum Roll downloadable pattern please follow this link
Pattern Specifications
Pattern Specifications
This pattern is a physical paper pattern.
The Anne Pattern contains the following:
30 page Instruction Booklet
3 large paper printed pattern sheets
Paper Envelope
Size Chart
Size Chart
Sizing
Sizing
Waist Sizes 30-52" (61-117cm)
Recommended Materials
Recommended Materials
Anne Skirt: The main skirt can be made in mid-weight silks such as: taffeta; mid-weight satins; ribbed silks such as faille, paduasoy, grosgrain, & moiré; brocaded & textured silks, etc. with support facings in tightly woven light-midweight linen or cotton, and lightweight silk.
Barbara Bum Roll:
Rump Outer: very tightly woven midweight fabrics in linen (most common), wool (less common) or cotton (least common).
Rump Filling: loose crin/ horsehair, loose wool, granulated cork, down/feathers, loose cotton, or loose poly cushion fill.
Support Petticoat: Tightly woven stiff and sculptural light-midweight fabrics in linen, wool & silk, including wool gabardine, silk taffeta, and linen twill. Linen fabrics can be starched to help hold the shape of the skirt. Non historical options include tightly woven, sculptural, light-midweight cotton fabrics including canvas and cotton matelasse.
Research & Inspiration
Research & Inspiration
Here are some helpful links to the research and inspirations of this product:
- Coming soon!
About the Models
About the Models
Catarina Skirt:
Dani is wearing View B in Size 42 with cartridge pleats. Her Anne Skirt & Ninon Bodice are made from a cotton duvet cover dyed rose pink. She trimmed her Ninon with an antique lace collar and wears it over a pieced Catarina Shift. All the fabrics in her outfit were thrifted or gifted: Dani wanted her Ninon ensemble to illustrate that it was possible to make beautiful historical costumes on a budget.
Nina is wearing View B in ivory silk-linen. Her View B skirt has forward-facing knife pleats In some photos it is topped with the View D trained overskirt in the same silk-linen custom-dyed yellow, faced with coral pink lightweight taffeta, also custom dyed. Her overskirt is cartridge pleated and she wears a Size 46.
Hayley is wearing View B with backward facing knife pleats, topped with the View D overskirt with cartridge pleats. Her entire ensemble is made from two identical sari, and also demonstrates that costumes can be made with spectacular fabrics on a budget. She wears a Size 38.
Rebekah is wearing View C with a shortened train in Size 42. Her Anne is made of silk satin with supplementary lamé weft brocading.
Barbara Bumroll & Support Petticoat:
Rebekah wears View C in cream cotton matelasse over a View A rump.
Usage Agreement
Usage Agreement
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